Top 10 Best Opera Performances of All Time

It wasn’t too long ago since the world lost a monumental figure in the realm of opera: Luciano Pavarotti. His passing resonates deeply, reminding us of the immense power and emotion that opera can evoke. To honor his legacy and celebrate the art form, I’ve compiled a list of ten great opera performances that have left an indelible mark on the hearts and minds of audiences around the globe. Securing a spot in this list was no easy task, but I believe these performances encapsulate the spirit and grandeur of opera. As always, I encourage you to share your thoughts and any performances you feel should be celebrated in the comments below.

1. Luciano Pavarotti – “Nessun dorma” (Turandot)

It’s almost poetic that we must begin this list with Pavarotti himself. His rendition of “Nessun dorma” from Puccini’s Turandot has become iconic, representing the pinnacle of operatic vocal performance. This performance during the 1990 FIFA World Cup made opera accessible to millions, and his thrilling high C is a moment that still resonates in the hearts of music lovers.

2. Maria Callas – “Casta Diva” (Norma)

Maria Callas was a force of nature in the opera world, and her interpretation of “Casta Diva” from Bellini’s Norma is nothing short of legendary. Her ability to convey both vulnerability and strength is evident in this stunning aria, which showcases her exquisite vocal technique and emotional depth.

3. Renée Fleming – “The Queen of the Night” (Die Zauberflöte)

Renée Fleming’s electrifying performance of “Der Hölle Rache” from Mozart’s The Magic Flute is a masterclass in coloratura singing. With lightning-fast runs and hair-raising high notes, Fleming’s interpretation brings a new dimension to the character of the Queen of the Night, solidifying her place in opera history.

4. Plácido Domingo – “La donna è mobile” (Rigoletto)

Plácido Domingo’s portrayal of the Duke of Mantua in Verdi’s Rigoletto is a definitive performance of “La donna è mobile.” Domingo’s rich tone and compelling stage presence create an unforgettable rendition, fueling the passion and charm that the character embodies.

5. Anna Netrebko – “O mio babbino caro” (Gianni Schicchi)

Anna Netrebko’s performance of Gianni Schicchi’s beloved aria “O mio babbino caro” showcases her crystalline voice and heartfelt expression. Her ability to communicate the emotional core of this piece has brought this aria to life for audiences worldwide.

6. Jon Vickers – “Ingelese? … la retta via” (Peter Grimes)

Canadian tenor Jon Vickers was praised for his portrayal of the troubled fisherman in Benjamin Britten’s Peter Grimes. His raw emotional expression and vocal power in “Ingelese? … la retta via” create an unforgettable representation of despair and isolation, showcasing his immense talent.

7. Diana Damrau – “Der Holle Rache” (Die Zauberflöte)

Another iconic performance of the Queen of the Night, Diana Damrau’s interpretation is renowned for its technical prowess combined with an intense dramatic flair. Her ability to navigate the difficulties of this demanding aria has earned her standing ovations and accolades around the world.

8. Samuel Ramey – “Largo al factotum” (Il barbiere di Siviglia)

Bass-baritone Samuel Ramey’s vibrant performance of Figaro in Il barbiere di Siviglia is a standout moment in opera history. With a charisma that electrifies the stage and a voice that is equal parts powerful and playful, his rendition of “Largo al factotum” has become a benchmark for future performers.

9. Joyce DiDonato – “Una voce poco fa” (Il barbiere di Siviglia)

Joyce DiDonato’s performance of Rosina’s aria “Una voce poco fa” is celebrated for her remarkable vocal agility and passion. Her distinct interpretation breathes life into Rosina, captivating audiences with a blend of humor and flair that is hard to forget.

10. Franco Corelli – “Ah! Mes amis” (La fille du régiment)

Franco Corelli’s electrifying performance of “Ah! Mes amis” has been etched into the history of opera as one of pure vocal power and expressiveness. His soaring tenor voice and dramatic presence elevate this celebratory aria, making it a beloved moment in operatic memory.